Showing posts with label Colin's Artwork. Show all posts
Showing posts with label Colin's Artwork. Show all posts

Sunday, April 20, 2008

Happy Birthday Lieutenant McGreal

Since I'm poor this year (in bank account, not spirit), I commissioned myself to complete a painting for my Dad's birthday (April 17).

In 1970 , several years after leaving active-duty as a Naval officer, my Dad joined another armed force: The Brigade of the American Revolution , a troupe of men who re-enacted the Revolutionary War in full dress. (Actually , by default, the rest of the family participated as well. I'll write about those years at some point.) So I thought he might like a painting themed around the colonial soldier. I've also been following the John Adams mini-series on HBO, so I guess I was in the mood.

He loved the result. It's an 8" by 14" piece but here's a smaller version:(click on image for larger)

Tuesday, April 15, 2008

Geek Alert: Development of a Doodle

This week while on a freelance job at McCann Erickson, I had some down time while I waited for my client to give me some ideas to illustrate. Lately I've been doing all my jobs completely digital on my new Cintiq monitor, (no paper -I'm a "green" storyboard artist!) which allows me to paint in Photoshop.

As I was listening to the "Return of the Jedi" soundtrack , I began to get my Geek on. I started out wondering if I could doodle a new stormtrooper idea and just kept going with it.

I think it turned out pretty cool:


Monday, March 3, 2008

Colin Versus the Hydra!


The image above is my depiction of a vivid nightmare from last night.
As far as I can recall it started out with me being chased by a criminal through a desolate and dark part of New York City, among decrepit buildings and abandoned warehouses. I was running for my life, taking turns and corner, trying to escape certain death at the hands of this dangerous and mysterious pursuer

Eventually I came to a small park who's tall trees blotted out any remaining light. The park was inky black. I stopped, feeling helpless and considered just dropping next to some small brush. But I elected to climb high into a tree and blend in with the foliage. The criminal arrived and passed through , unaware of my location.
I waited in the tree until morning and finally climbed down. As the early morning fog lifted, I found a subway and slipped in among the commuters. I remember feeling great relief that I was among life again and heading for another borough. I would certainly never see my pursuer again.

(Sidenote: I probably should not have been watching "The Shining" before I went to bed last night.)

Continuing my dream, I arrived home to my family's neighborhood. The neighborhood was perched on either side of a narrow but deep crevice, at the bottom of which lay a river. The homes were a honeycomb of dwellings and compartments, much like you'd see in the ghettos of Rio. They towered precariously above opposing cliffs.

And they were under attack.

Emerging from the crevice was a massive red Hydra monster with no eyes. It had many tentacles that acted independently, swiping groups of fleeing people and dropping them into it's terrifying mouth.

My friend Cindy Thoennessen, who I used to work at Charlex with, was there and told me the only way to kill the monster was to stab it in the throat at a vulnerable point. In order to get to the exposed throat, though you would have to not only dodge the monster's lethal flaling arms, but throw yourself off the cliff to reach the beast's throat. There would be very little chance of surviving even if successful.

I went to a nearby market and asked a shopkeeper for a knife. He gave me what seemed to be a rather overly large pocket knife as big as my forearm, with a switchblade.

Before I returned to kill the monster, I paused and solemnly contemplated giving my life so that my family and others could live. Once I had accepted this sacrifice, I went toward the cliffside.

But the monster had already been slain.

It turns out another ex-Charlex workmate, a computer animator, had simply thrown a bucket of dirty water on monster. It had the effect of acid and the beast disintegrated.

I remember standing there feeling very awkward. I wasn't jealous of the other victor, but I remember feeling depressed that I had mentally accepted my death so that others could live, and then was not able to follow through. It was a hard state to return from.

Wednesday, February 27, 2008

Sketchbook series # 2

(click on image for larger version)
November 11, 1995. This is when I was traveling parts of the world, particularly SE Asia, by myself. Bangkok was always a gateway to several countries over there. The night I made these sketches was when I was waiting for my flight back to the States. It was common for flights to have a 5 am departure. So between check-in and security needs, you had to be there by 3am and it made no sense to spend the last night in a hotel. At the time there was nothing to do in Dom Muang International airport at that hour except walk around and count the sleeping bodies. I counted 103 that night. They made excellent models.

Monday, February 18, 2008

Sketchbook Series 2/18/08

I'm starting to archive my sketchbooks from years of travelling, so thought I'd post some of the pages now and then. The above spread is from October 25, 1995 in Siem Reap, Cambodia. The left page was at Ta Prohm temple, the right was at Bayon Temple where I met a young vendor. She signed her name (encircled) and I believe it was pronounced "Sau". I like that the pages have bled upon each other and the next page of a woman worker is ghosting through, thanks to Cambodia's humidity. Click on image for larger size.

Thursday, February 14, 2008

Geek Alert: Something I Can't Afford but Bought Anyway


I've been wanting one of these for a while. A Wacom Cintiq tablet. Essentially a highly sensitive screen with a pressure sensitive stylus. For years I've been drawing on a tablet below my eyeline, but watching the screen where the work goes on, which requires some weird hand/eye sync to get used to. Now I get to look where my hand is moving. They used to be far too expensive for me, but this new model is just a little expensive for me, so I jumped.

It's still not like drawing on paper, though, since the screen is very slick. Drawing on a texture like paper gives more friction which allows more control and precision quickly . The tablet can allow this but really lends itself best for loose and gestural stuff or painterly techniques (at least until I get used to it) So for VERY detailed stuff I still sketch on paper and scan it to paint in Photoshop. Below are a couple recent things done completely in Photoshop using my new toy.